Marília Mendonça, Brazilian Pop Vocalist, Passes Away in Airplane Crash at 26

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    Marília Mendonça, Brazilian Pop Vocalist, Dies in Aircraft Crash at 26

    < img src =" https://worldbroadcastnews.com/wp-content/uploads/2021/11/Z2CeUz.jpg" class=" ff-og-image-inserted "> Ms. Mendonça, who was a social media sensation with millions of followers, was renowned in a type of Brazilian c and w called sertanejo.Marília Mendonça,

    one of the most popular Brazilian pop singers who was referred to as “The Queen of Suffering” for her angst-filled ballads, was eliminated on Friday in a little airplane crash in the southeastern state of Minas Gerais in Brazil. She was 26.

    The vocalist’s press workplace confirmed Ms. Mendonça’s death and said her producer, Henrique Ribeiro; her uncle who was also her assistant, Abicieli Silveira Dias Filho; and the pilot and co-pilot of the aircraft were likewise killed.The aircraft had been headed from the city of Goiania to Caratinga, where Ms. Mendonça was to have carried out in a concert on Friday night. There was no immediate word on the scenarios leading up to the crash. The authorities stated they were investigating.Ms. Mendonça was renowned in a kind of Brazilian c and w called sertanejo,

    a popular genre in Brazil. Her legions of fans discovered power in her tune lyrics, which implored women to reject bad and abusive relationships, and informed the stories of problematic characters.Ms. Mendonça was a social networks experience, with 7.8 million followers on Twitter, 22 million on

    YouTube and more than 38 million on Instagram.

    Minas Gerais Civil Cops, via Agence France-Presse– Getty Images

    Brazil’s president, Jair Bolsonaro, said on Twitter, “The entire nation gets in shock the news of the death of the young nation vocalist Marília Mendonça, among the best artists of her generation, whom, with her special voice, charisma and music won the love and affection of all of us.”

    Anitta, a funk vocalist popular in Brazil, stated on Twitter: “I just discovered. I can’t believe it.”

    Some in Brazil’s cosmopolitan circles had scorned Ms. Mendonça’s nation ballads as “‘ brega,’ or corny music,” NPR reported in 2019.

    ” Sentimental or not, her tunes use a woman’s point of view that hasn’t been heard much in sertanejo’s machismo culture, and it’s made Mendonça the prominent voice of a brand-new subgenre called ‘feminejo’– music by and for ladies,” NPR said.Ana Ionova contributed reporting.Published at Fri, 05 Nov 2021 23:30:48 +0000 https://www.nytimes.com/2021/11/05/arts/music/marilia-mendonca-dead.html

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